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Romanian Folk Dances (Hungarian: Román népi táncok), Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.

BELA BARTOK: Romanian Folk Dances (1999 Kuhn/Berne Cathedral, Switzerland) Hyperion 67228 WILLIAM LLOYD WEBBER: Prelude, fr 3 Recital Pieces (1954 Harrison/Temple Church, London) Hyperion 67060 FRANZ LISZT: Fugue on Ad nos, ad salutarem undam (2002 Letourneau/Winspear Center, Edmonton, Canada) Hyperion 67458 Program No. Romanian Folk Dances by Bela Bartok for classical guitar. Rated 4.83 out of 5 based on 12 customer ratings (14 customer reviews). 41-page PDF containing the full score with standard notation and tab notation, in addition to a standard notation-only score. Instant download after purchase. Original work by B. Bartok is in the public domain. Format: Sheet music notation (no tabs/tablature) *NEW* with tabs 41-page PDF containing the full score with standard notation and tab notation, in addition to a standard notation-only score.

It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary (Magyarországi román népi táncok) but was later changed by Bartók when Romania occupied and finally annexed Transylvania between 1918–1920.[1] It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever wrote key signatures.[2]


This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows. The original Hungarian title will be in the first place, the most commonly known title in Romanian will be in the second place and the translation into English will be in parentheses:

Roumanian Folk Dances sheet music - Cello, Piano sheet music by Bela Bartok: Boosey & Hawkes. Shop the World's Largest Sheet Music Selection today at Sheet Music Plus. Buy Romanian Folk Dances by Bela Bartok/arr. Monday at Orchestra Sheet Music. This arrangement features four of the six dance movements as fi Stores 1-800. Romanian Folk Dances. Bela Bartok/arr. Monday - Neil A. Kjos Music Company Romanian Folk Dances.

Bela Bartok Romanian Folk Dances Pdf To Excel
Performed by the Advent Chamber Orchestra
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  1. Bot tánc / Jocul cu bâtă (Stick Dance)
  2. Brâul (Sash Dance)
  3. Topogó / Pe loc (In One Spot)
  4. Bucsumí tánc / Buciumeana (Dance from Bucsum)
  5. Román polka / Poarga Românească (Romanian Polka)
  6. Aprózó / Mărunțel (Fast Dance)[3][4]

The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Torda administrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.[5] The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region.[1] The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[6] The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania).[7] The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania.[8] The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune.[9] Both on the orchestral version and on the original piano version, the final two dances are performed attacca—without a break between movements.[10]


All of the movements are composed according to the rules of the musical modes, which state that all melodies are to be written according to a specific order of tones and semitones.

Bela bartok romanian folk dances pdf to excel online
MovementTempoTime to perform[11]KeyFormMode
Bot tánc / Jocul cu bâtăAllegro moderato, = 8057 secondsA minorBinaryDorian and Aeolian on key centre A
BrâulAllegro, = 14425 secondsD minorBinaryDorian centered on D
Topogó / Pe locAndante, = 9045 secondsB minorBinaryAeolian and Arabic influence (augmented seconds) on key centre B or Gypsy scale without leading-tone
Bucsumí tánc / BuciumeanaModerato, = 10035 secondsA majorBinary with 2 tunesMixolydian and Arabic influence on key centre A
Román polka / Poarga RomâneascăAllegro, = 15231 secondsD majorBinary with 2 tunesLydian on key centre D
Aprózó / MărunțelAllegro, = 152 (and after, Più Allegro, = 160)[3]13 and 36 secondsD Major, modulates to A major3 tunes and codaKey Centre A; first part begins with Lydian, but is in Mixolydian; second part is in Dorian

Other arrangements[edit]

Aside from the version Bartók wrote for a small orchestral ensemble, some of Bartók's friends wrote adaptations or transcriptions of this piece for several different ensembles. The following list shows some of the most published of them:

  • Arthur Willner's version for string orchestra. It is a mere transcription with no modification on the original score other than appropriately orchestrating the piece for a string orchestra with violin I, violin II, viola, cello and double bass.
  • Zoltán Székely's version for violin and piano. This is not just a transcription, but also an arrangement and adaptation of the piece for these two instruments, especially from the point of view of the violinist. Therefore, some of the slight adjustments Székely made on the original score were to transpose some of the songs: the second movement was transposed from D minor to F minor, the third from B minor to D minor and the fourth from A major to C major. He also repeated some sections, added bars and used several techniques from the violin such as artificial harmonics, double stops, and Sautillé.[7]

Notable recordings[edit]

Notable recordings of this composition include:

Piano SoloRecord CompanyYear of RecordingFormat
András SchiffDenon Records / Brilliant Classics1980CD[12]
Jenő JandóNaxos Records2005CD[13]

Notable recordings of the arrangement by Zoltán Székely include:

Bela Bartok Romanian Folk Dances Piano

ViolinPianoRecord CompanyYear of RecordingFormat
Joseph SzigetiBéla BartókEMI Classics1930CD[14]

See also[edit]


  1. ^ abCummings, Robert. 'Brâul (Sash Dance), for piano (Romanian Folk Dances No. 2), Sz. 56/2, BB 68 2: Composition description'. Rovi Corporation. Retrieved 2 August 2011.
  2. ^Kroo, Gyorgy. Guide to Bartok. Branden Publishing Co. ISBN978-0-8283-1559-3.
  3. ^ abThis movement is only present in the orchestrated version, as it is part of the sixth dance. Although most recordings set this track list for the orchestrated version, this last movement is part of the previous movement
  4. ^Whitehouse, Richard (2005). 8.554718 – BARTOK, B.: Piano Music, Vol. 2 (Jando) – Dance Suite / Romanian Folk Dances. Hong Kong: HNH International Ltd. p. 4. Retrieved July 27, 2011.
  5. ^Cummings, Robert. 'Jocul cu bâta (Stick Dance), for piano (Romanian Folk Dances No. 1), Sz. 56/1, BB 68 1: Composition description'. Rovi Corporation. Retrieved 2 August 2011.
  6. ^Cummings, Robert. 'Pe Loc (In One Spot), for piano (Romanian Folk Dances No. 3), Sz. 56/3, BB 68/3: Composition description'. Rovi Corporation. Retrieved 2 August 2011.
  7. ^ abCummings, Robert. 'Buciumeana (Dance of Buchum), for piano (Romanian Folk Dances No. 4), Sz. 56/4, BB 68/4: Composition Description'. Rovi Corporation Ltd. Retrieved August 4, 2011.
  8. ^Cummings, Robert. 'Poarga Româneasca (Romanian Polka), for piano (Romanian Folk Dances No. 5), Sz. 56/5, BB 68/5: Composition description'. Rovi Corporation. Retrieved 2 August 2011.
  9. ^Cummings, Robert. 'Maruntel (Fast Dance from Belebyes), for piano (Romanian Folk Dances No. 6), Sz. 56/6, BB 68/6: Composition description'. Rovi Corporation. Retrieved 2 August 2011.
  10. ^Cummings, Robert. 'Maruntel (Fast Dance from Belebyes), for orchestra (Romanian Folk Dances No. 6), Sz. 68/6, BB 76/6: Composition description'. Rovi Corporation. Retrieved 2 August 2011.
  11. ^This is the original timing Bartók wrote down after each movement
  12. ^'Information about the CD 9714 from Denon Records'. Santa Clara: Rovi Corporation. 1980. Retrieved July 27, 2011.
  13. ^'Track list from the CD 8.554718 from the Naxos catalogue'. Hong Kong: Naxos Digital Services Ltd. 2005. Retrieved July 27, 2011.
  14. ^'Information about the CD 180761 from EMI Classics'. Santa Clara: Rovi Corporation. 1930. Retrieved August 13, 2011.

Further reading[edit]

  • Hinson, Maurice. Romanian Folk Dances, Sz. 56, for the piano (Alfred Masterwork Edition). Alfred Publishing. ISBN978-0-88284-864-8.
  • Kroo, Gyorgy. Guide to Bartok. Branden Publishing Co. ISBN978-0-8283-1559-3.
  • Suchoff, Benjamin (1993). Béla Bartók essays. Lincoln: University of Nebraska Press. ISBN978-0-8032-6108-2.
  • Antokoletz, Elliott; Fischer, Victoria; Suchoff, Benjamin (2000). Bartók perspectives: man, composer, and ethnomusicologist. Oxford: Oxford University Press. ISBN978-0-19-512562-7.
  • Yeomans, David (1988). Bartók for piano. Bloomington: Indiana University Press. ISBN978-0-253-21383-9.

Bartok Romanian Folk Dances For Orchestra

External links[edit]

Bela Bartok Romanian Folk Dances Pdf To Excel Free

  • Romanian Folk Dances, Sz. 56: Scores at the International Music Score Library Project (IMSLP)
  • Romanian Folk Dances, Sz. 68: Scores at the International Music Score Library Project (IMSLP)

Bartok Romanian Dances Imslp

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